Suzy is our guide to this fantastical dance academy that is completely ridiculous as far as buildings go but a treat for us as the audience.Īfter the dance students have to relocate to one of the studios to sleep, several girls discuss the headmistress who is supposed to be out of town. The classic super vibrant Giallo reds for blood, warm orange-yellows from streetlights reflecting on faces, blues and pinks as background lights…it’s got the whole rainbow. it’s a gorgeous film that uses everything it can. To be honest, I could have probably made this entire list from Suspiria. Today I wanted to go through some great examples from every shade of the rainbow. Just like every other genre, horror spans the entire spectrum of colors in beautiful (and sometimes disgusting) ways. Throughout the decades, styles and visual cues change.
This is merely one style of horror and was somewhat of a phase in the mid-2000s. Check out StudioBinder for some further reading on color theory in film.įor a long time, horror has had the misconception that it’s all washed-out blues and sepia overtones. It can set the mood or even harken back to another character: so-and-so always wears blue, now there are blue items in the background, for example. Considering the number of colors in existence, this leads to virtually unlimited options. Saturation is the intensity of the color, and brightness is how light or dark it appears.
Hue refers to the color itself-blue, red, green, etc. In the world of color, there are three important factors: hue, saturation, and brightness. When you watch a film, do you pay attention to the colors the characters are wearing? The sets or visuals effects? Each of these can add to the experience in both perceptive and subconscious ways. Color is such a hugely important part of filmmaking, adding layers of meaning to each scene.